Sculping in Time
"We've come to the end of the day: let us say that in the course of that day something important has happened, something significant, the sort of thing that could be the inspiration for a film, that has the makings of a conflict of ideas that could become a picture. But how did this day imprint itself on our memory? As something amorphous, vague, with no skeleton or schema. Like a cloud. And only the central event of that day has become concentrated, like a detailed report, lucid in meaning and clearly defined. Against the background of the rest of the day, that event stands out like a tree in the mist. (Of course the comparison is not quite exact, because what I've called mist and cloud are not homogeneous.) Isolated impressions of the day have set off impulses within us, evoked associations; objects and circumstances have stayed in our memory, but with no sharply defined contours, incomplete, apparently fortuitous. Can these impressions of life be conveyed through film? They undoubtedly can; indeed it is the especial virtue of cinema, as the most realistic of the arts, to be the means of such communication."